When we are starting up, and hell even when we are veteran webcomic creators, we make mistakes, take short cuts and overlook things. This can lead to sub-par performance in some aspect of our webcomic, hindering our efforts to build audience, community, and ultimately readership. There are definitely some things that turn webcomic readers off, and just fixing up a few things that could be really deterring readers from getting into your comic could make a big difference in converting visitors to dedicated fans.
Here is a list of 10 things to consider that could be holding your webcomic back from glory and what you can do to fix it.
This is a useful article for both artists, and people looking to commission/buy art, specifically in the realm of comics. If you happen to be a writer looking to hire an artist, or perhaps you are an artist who’s been approached by someone looking to hire, its good to know what the sort of baseline is when you are deciding on how much to charge, or conversely, how much you can expect to pay.
Instead of doing a whole bunch of individual summaries of my conventions, I figured I’d kind of wrap everything up in a single post. Present what I’ve learned, what mistakes I made, what I will changes for next time, and what I did right. For those of you wondering about my Convention exploits and how things went.
All us webcomic folks, at some point, generally get faced with the prospect of printing our comics. Because of our small print runs and almost non-existent budgets, we tend to opt for print-on demand provides. There are a handful that actually specialze in small run, on-demand comics.
As a graphic designer who works almost exclusively in print, I’ve worked for about a decade with a number of different printers (large and small). This gives me a lot of expertise and expectation when getting anything printed as to what kind of quality I should get from a printer. So I’ve recently printed my first set of comics, and as such I’m exploring the world of on-demand comic printing. In an effort to help the community, I will bring my findings to you all so when you come to the time when you want to print some comics, you’ll have some perspective.
My first stop on this Road is one of the more well known On-demand services: Ka-blam.
Its no secret that every webcomic artist loves feedback. Sometimes the only thing that keeps us going is that anticipation of appreciation or minute moment of glory when someone leaves a comment on our latest page. But it can be very hard, especially in the beginning, to coax readers to leave that feedback or interact with you. Let’s have a look at the reasons why they don’t, and what you can do to get readers to be more interactive with you and your site.
I was recently interviewed for the DrunkDuck Quackcast Episode 22 on marketing your webcomic. A very sort of basic overview, but worth a listen. Since I don’t have my own podcast (yet), its the next best thing!
It’s generally a known fact that there are usually way more writers out there in need of artists than the other way around. If you spend any time in any of the webcomic or art communities you’ll run into the age old problem of the writer trying to locate art talent to bring his writing to life, but they come into the search ill prepared to woo an artist to their project. Many are clueless as to what is required on their end to look professional, what artists expect to see, how to get positive attention, and what they can expect to pay, or if they can get work for free. In this article we’ll have a look at what it takes to score an artist for your webcomic project (and not make yourself look like a douche in the process).